My work is strongly influenced by sea folklore, and our superstitious relationship with the sea. Nautical stories are reflected within my narrative where anthropomorphic absurdity is used to resurface and re-contextualize traditional sea-faring warning signs. My assemblages can be seen as malformed plastic flora or mythical fauna, either way holding supernatural vigor forecasting metaphorical danger. I use allegorical tales derived from collective mythologies and appropriate sea shanties to whimsically and absurdly reveal the economic drivers that affect the natural world.